He often wrote pieces for specific players with distinctive musical styles in his band, much(prenominal) as "Concerto for Cootie" (1940) for fellow actor and trumpeter, Cootie Williams. With the help from American trumpeter James "Bubber" Miley, Ellington often incorporated in his music the rear camp effect. This effect was made by placing a diver at the opening of a brass instrument, therefore, muffling or muting the notes played out. The get out s...If you want to get a entire essay, order it on our website: OrderCustomPaper.com
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